Mounting is a unique technology in China. Normally Chinese paintings and calligraphy are done on thin and easily broken rice paper or fragile silk. In order to keep the artwork in a more maintainable method, people mount them on thick paper and gradually the technology of mounting is developed.

Craftsmen usually mount paintings and calligraphy on thick paper – it requires subtle techniques and great patience. After being brushed with glue, the original thin paper gets sticky and even more fragile. But after several procedures, the piece becomes thick and ready to be exhibited. People can carry it away easily, or hang it up in the hall of one’s house.

According to archaeological findings, the technique of mounting can be dated back to the Warring States period, which is nearly 2,500 years from now. As Chinese paintings and calligraphy are gaining popularity among markets, the mounting technology as a support of the art is getting more attention as a result.

Interview：

Gao Guigen , Mounting Technologist

"I have been in this industry for 20 years. I studied the mounting skill at first in the Shenyang Palace Museum. So far, the biggest painting that I mounted was 5.5 meters in width and 208 meters in length. You can find my works at lots of important venues, for example, Zhongnanhai and the Great Hall of People."

Video：Cong Fangjun

Voice over：Hu Zhicheng